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While Rutherford Falls does, perhaps, take a step forward in this sense, it still employs the same protagonist Schur’s been using for the last decade. There are enough motivations and side stories woven into the narrative to justify a discussion about cancel culture because the arguments feel whole, rather than just fragmented bites of snark. It’s a little bit like Jason Sudeikis’s Ted Lasso, an overly-ambitious character that should irritate us with peppy optimism. He just cares a little too much about his family, that’s all. Nathan, whose wrongfully-proud energy and stupidity are suited to make him the antagonist of the show, balances his idiocy with kindness.

Each person is treated as fallible as they are lovable, a sure sign that the series won’t age horribly. 'Rest assured, Rutherford Falls hosts some of the better discussions, willing to create nuanced relationships before it rushes to label any of its characters as downright horrible people (or, for that matter, icons who can do no wrong).

'Any show, movie, book-in fact, anything in general-that deems itself worthy enough to enter the discourse surrounding the internet and cancel culture is ambitious, point-blank,' says Peters. Rutherford Falls, he says, features unsuspecting, nuanced discussions on the once-fraught subjects. The Peacock comedy Schur co-created with Sierra Teller Ornelas and Ed Helms 'has all the makings of a typical Michael Schur sitcom: a catchy little jingle of a theme song, with mirrored musical interludes sprinkled into the story topical pop culture references an endearing slew of quirky characters workplace banter,' says Fletcher Peters.

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